Lætitia Tamko is acutely, painfully aware of the chasm that can stretch between forefinger and thumb. Adolescence is the perfect metaphor for Infinite Worlds: no other stage in life has the power to make the minor details – sexual experience, acceptance from your peers, early career paths – seem like they might actually matter ten years from now.  Of the eight songs that feature on Vagabon’s debut album, several have undergone growing pains of their own. “The Embers” was born a smaller, gentler affair called “Sharks,” while “Fear & Force” grew out of “Vermont II,” a song that now operates as a blushing snapshot of the record at large. “I’ve been hiding in the smallest place,” Tamko sings. She is stepping out.

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