Ever since Hugo’s head fell off and his teeth spilled across the stage, Sarah Angliss has been hesitant about bringing him on tour. The experimental musician has worked with a variety of collaborators over the years – as I speak to her on the phone, she’s building up to a performance at Supersonic festival, where she’ll be appearing as a trio with Sarah Gabriel (vocals) and Stephen Hiscock (percussion) – but her 1930s ventriloquist dummy head on a stick may not make the journey this time. “I worried that no one would enjoy the show without him,” she confesses, an anxiety belying the fact that her entire live show is extraordinary beyond Hugo.

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