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The General Election on December 12 is set to be the most significant in a generation. In the most obvious terms, it will determine which way the Brexit pendulum finally swings, but there’s much more at stake, including the future of the NHS, affordable housing, taxation, immigration and the environment.
Culture and creativity are also in the mix, with Labour leader Jeremy Corbyn pledging to invest £1 billion in arts spending if elected. Yesterday (November 24) he launched his Arts for All charter at London’s Theatre Royal Stratford East with a few friends – including M.I.A., Emeli Sandé, Billy Bragg, Ken Loach, Clean Bandit, comedian Rob Delaney and a video-linked Lily Allen. It’s big. It’s bold. It’s hugely ambitious. Does he really think he can pull it off?
NME speaks to the man hoping to end nine years of Conservative rule to find out.
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“What is it about a bonfire?” The opening question from Phil Elverum’s press notes for Lost Wisdom Pt. 2 is one that haunts the latest Mount Eerie album from start to finish, an elegiac motif that returns to the word “smoldering” twice on its journey. It’s a term that invariably carries a sense of interlocation, though its passing is noted both ways: when we think of a smoldering romance, it evokes the presence of flame waxing, ascendant; when we think of a smoldering bonfire, we mourn what’s left of the light in its embers.
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Pete Wentz is driving around LA, speaking to me over the phone about his newly-launched range of jewellery and apparel, Ronin. As far as rock star business enterprises go, it’s certainly extravagant, and the website’s description of the rings, pendants and hoodies held therein – “born out of the idea of wandering, a samurai without a master, and the free dreams that accompany facing the world on your own” – adds to the initial sense that Wentz’s professional career may have ballooned into parody, the kind of project Connor 4 Real from Popstar: Never Stop Never Stopping might have signed off on. “We would go and sample products in the jewellery district in downtown LA, learning why one gold looks more yellow than the other,” he tells me when I ask about it. “It’s been a really interesting learning experience.”
But then Pete Wentz, to borrow Lana Del Rey’s favourite American poet Walt Whitman, is large; he contains multitudes, and some of those multitudes just happen to involve samurai-themed lockets. Among other projects, he owns a clothing company, a film production company, a nightclub, and a minority share in American USL soccer team Phoenix Rising. “It scares me sometimes, watching him,” Patrick Stump once joked. “The two seconds you’re not with that dude he’s made 30 decisions that are going to affect our band for the rest of the year.”
Ah yes: he’s also, you may recall, the bassist in Fall Out Boy.
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