Capacity is a record of the first morning light, dusted with snow and blood. “There is a darker darkness and a lighter light on this album,” Adrianne Lenker explains, and while nothing could be truer than this, they are not separate: every pristine landscape bears the mark of the prior night’s reds and blacks, and even the darkest nighttimes are shot through with the hot, white clarity of a hangover returning a borrowed memory. “The sugar rush, the constant hush,” Lenker gasps on ‘Mary’, and Big Thief’s second album somehow captures both at once.

Continue reading at God Is In The TV Zine