Credit: Molly Matalon
At the time of Katie Crutchfield’s last album, 2017’s glorious ‘Out In The Storm’, the songwriter was already talking about stepping back from that record’s adamantine energy. Having recorded as Waxahatchee – named after a creek near her childhood home in Birmingham, Alabama – for the best part of half a decade and with four albums of bittersweet indie rock by that point, the record felt like a sea change.
In hindsight, that desire for peace spoke to more than musical preference; after Crutchfield’s last tour wrapped up the singer quit drinking, something she’d been swearing to do since the age of 17. Inevitably, given that Waxahatchee has always been a relatively autobiographical vehicle for the artist, it was impossible to detach much of the art from its real-life narrative template.
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There’s a pivotal scene that closes out the first season of Spaced, the cult TV debut of Simon Pegg, Nick Frost, and director Edgar Wright, in which Tim has an epiphany waiting for his ex-girlfriend to arrive at the bar. “It’s like walking in on yourself, you know? Like, ‘What are you doing?’ That’s how I felt tonight feeling my heart miss a beat every time the door opened. ‘What the fuck are you doing?’” On her fourth album as Waxahatchee, Out in the Storm, Katie Crutchfield’s natural introspection transcends navel-gazing to place distance between herself and a toxic relationship, and the effect is both vituperative and life-affirming: in its most brutally honest scenes, we catch the Alabama native walking in on herself.
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The details of Katie Crutchfield’s personal experiences are irresistibly stitched into the fabric of her work. More than anything, when confronted with such honesty in art, our first desire is always to pull it apart at the seams: is this a break-up album? How toxic was the relationship? Which side of the bed do you continue to leave empty?
Continue reading at Clash