When Natasha Khan announced a new album informed by the baby pinks and teals of 80s music and cinema, it would have been easy to sneer at it as the latest cultural power-grab for nostalgia, the aural equivalent of a New Coke can left in shot a little too long. That it would be a costume to dress up in for the night rather than something, you know, authentic. As it turns out, Lost Girls is a phenomenal record, which should come as little surprise for an artist whose just about to release her fifth on the bounce as Bat For Lashes (six if you count the Sexwitch LP, which you absolutely should). But that’s almost beside the point.
The point is that costumes and make-up are ways of telling stories; when we strike a pose, we reach towards something higher than the everyday motions learned by rote, which is ultimately what Khan does best. Each of her albums carries a concept, and yet even when they’re playing dress-up – quite literally in the case of Pearl, the blonde-wigged chaos twin she built into the Two Suns narrative – they’re telling us something about the artist, about ourselves.
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