I Visited The World’s First Virtual LGBTQ Museum

I’m standing in an undetermined liminal zone with a floating rainbow icon in front of me. Way beneath me is the Milky Way, a spectacular astral vista that renders our home galaxy an incidental detail in an ocean of stars. For once, this is not the result of a heroic dose of acid at a Pride afterparty, but the lobby of the world’s first virtual reality LGBTQ+ museum.

Continue reading at VICE

Everything Slays: What Indie Rock Can Learn From Animation’s Queer Voices

 

The world is a sharp place, and art that serves only to map out its painful edges proves as useful and welcome as Owen Smith’s post-election hubris, or chlamydia, or waking up and realising that Owen Smith’s post-election hubris has somehow given you chlamydia. The scenes that leave a real scar are those that locate the intersection of tragedy and farce; the ragged contours, the poignant moments Simon Reynolds once described as “the exquisite meshing of two contradictory feelings”. It’s driven by characters who compromise the expectations attached to their role, and by proxy, the way we identify ourselves within them. The world’s villains are still easy enough to caricature. But if you happen to fall outside the heteronormative matrix, chances are the heroes don’t look anything like you either.

Continue reading at Drowned in Sound