In the music videos for ‘Lilith’ and ‘Loomis’, the first two singles to be taken from Faith Eliott’s debut album Impossible Bodies, a glorious and near-constant duel plays out between the sparkling and the mundane. Flashes of electric pink and lightning gold illuminate the washed-out scenes around them, and we taste both senses of the word “impossible”: not only as frustration towards something that can never be achieved, but also as something thrillingly beyond the limitations of the present. We live in our own impossible bodies, but we also yearn towards wilder ones.

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