Portishead and IDLES Deliver Truth and Fury at War Child UK Benefit Concert

Photo: Chris Cooper

Dressed in black trousers and a short-sleeved white shirt that suggested he may have just wrapped up an additional shift as a bus driver, singer Joe Talbot veered between the empathic and the vitriolic in his between-song missives as readily as he does in his music. 2021 album Crawler formed over a third of the set, and the frontman rarely missed an opportunity to lay blame at the UK’s incumbent Conservative government – not least on “Mother”, reminding listeners that “the best way to scare a Tory is to read and get rich”.

The focus of the evening never vanished. As the night’s entertainment drew to a close, Moscow was reportedly planning to annex Donetsk and Luhansk, while the European Union prepared to sanction Russian oil. The victims remain elsewhere, the extraordinary amount of money raised a temporary balm to a deeper political fracture.

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Mount Eerie Leaves the Bonfire Glowing on Lost Wisdom Pt. 2

“What is it about a bonfire?” The opening question from Phil Elverum’s press notes for Lost Wisdom Pt. 2 is one that haunts the latest Mount Eerie album from start to finish, an elegiac motif that returns to the word “smoldering” twice on its journey. It’s a term that invariably carries a sense of interlocation, though its passing is noted both ways: when we think of a smoldering romance, it evokes the presence of flame waxing, ascendant; when we think of a smoldering bonfire, we mourn what’s left of the light in its embers.

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